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A Woman Commands

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A Woman Commands
Theatrical poster of the film
Directed byPaul L. Stein
E. J. Babille (assistant)
Screenplay byHorace Jackson
Story byThilde Forster
Produced byCharles R. Rogers
Harry Joe Brown (associate)
StarringPola Negri
Roland Young
Basil Rathbone
CinematographyHal Mohr
Arthur C. Miller (additional footage)
Edited byDaniel Mandell
George Hively
Music byArthur Lange
Nacio Herb Brown
Production
company
RKO Radio Pictures
Distributed byRKO Radio Pictures
Release date
  • January 1, 1932 (1932-01-01) (US)[1]
Running time
84 minutes
CountryUnited States
LanguageEnglish
Budget$415,000[2]
Box office$212,000[2]

A Woman Commands is a 1932 American pre-Code drama film directed by Paul L. Stein and starring Pola Negri, Roland Young, and Basil Rathbone. Some additional scenes were directed by an uncredited Harry Joe Brown.

The film was novelized in 1931 by Guy Fowler.[a] The film's copyright was renewed in 1959.[b]

Plot

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The film follows the passionate romance between Madame Maria Draga, a glamorous cabaret singer with expensive tastes, and Captain Alex Pastitsch, an officer in the royal guard. Deeply in love with Maria, Alex struggles to fund her luxurious lifestyle and resorts to gambling to pay for her jewels and fine gifts. His mounting financial desperation eventually leads him into severe debt, drawing the attention of military superiors who arrange for his sudden professional transfer to a remote post to salvage his career and reputation. Before he leaves, Maria spends a final night with him, and recognizing that his refusal to accept the transfer would ruin him, she persuades him to go for his own good.

Shortly after Alex's departure, the reigning monarch, King Alexander, visits the cabaret and becomes instantly captivated by Maria's beauty and singing performance. He sends a lieutenant to invite her to a private royal party. Initially reluctant, Maria agrees to attend only after extracting information about Alex's whereabouts from the royal messenger. At the palace, the King makes aggressive advances and attempts to seduce her. Despite the King's persistent pursuit, Maria resists his charms. However, through a complex mix of royal pressure, political maneuvering, and her altered circumstances, she ultimately agrees to marry him, ascending the throne as Queen.

The marriage provokes immediate outrage among the King's ministers and the traditional aristocracy, who view a former cabaret entertainer as a threat to the dignity of the royal dynasty. Tensions spill over during a formal military parade held in honor of the new Queen. Having returned from his remote post, Captain Alex—still bitter and heartbroken—joins his fellow soldiers in a public display of insubordination by refusing to salute or even look at Maria. Outraged by this blatant disrespect, the authorities arrest Alex, and he is sentenced to indefinite imprisonment. Unwilling to see her former lover languish behind bars, Maria uses her influence over the King to secure Alex's pardon and release.

Time passes, and Maria gives birth to a royal heir, Prince Milan. Despite the birth of an heir, public discontent with the monarchy continues to grow rapidly across the country. Displeasure with the King's rule and the scandalous royal marriage fuels a massive underground revolutionary movement. Agitators, secretly stirred up by factions including the resentful Alex, rally the populace against the crown.

Eventually, a full-scale revolution erupts. The government collapses, angry crowds and rebel soldiers storm the palace, and King Alexander is assassinated amidst the chaos. In the aftermath of the uprising, the victorious revolutionary leaders demand that Maria completely abdicate her rights and sign official documents declaring her young son illegitimate, thereby stripping the child of any royal lineage. Maria firmly relinquishes her right to the throne, but she fiercely refuses to sign away her son's legitimacy.

Alex, witnessing the destruction and realizing the genuine strength of her character, steps in to support her against the extremists. With the violent turmoil settling, Maria and Alex are finally reunited, escaping the chaos as they flee the country together.

Cast

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Reception

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Critical

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Mordaunt Hall of the The New York Times wrote that although the film "is no masterpiece, it has several good episodes.The denouement is very tame, but there is always the acting of Roland Young, Basil Rathbone and H. B. Warner, besides Miss Negri."[3]

Variety wrote that the "heavy advance ballyhoo" that preceded the film's release would help make it a success, but it described the flow of the storyline as "awkward" and "confusing" and the transition from comedy to drama as "an assault on plausibility." Negri was noted for demonstrating a "rather agreeable contralto" in her singing scenes, Basil Rathbone was described as acting with "unusual inflexibility" and "acting honors" went to Roland Young.[4]

The Film Daily wrote that the film began in a comedy vein before switching to drama but that it "fails to sustain interest." Negri was well received, and was described as "glamorous and expert in a part which does not afford her the best opportunities."[5]

Commercial

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According to RKO records, the film made a loss of $265,000.[2]

Songs

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References

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  1. ↑ "A Woman Commands: Detail View". American Film Institute. Archived from the original on March 29, 2014. Retrieved June 2, 2015.
  2. 1 2 3 Richard Jewel, 'RKO Film Grosses: 1931-1951', Historical Journal of Film, Radio and Television, Vol 14 No 1, 1994 p58
  3. ↑ Hall, Mordaunt (January 29, 1932). "Pola Negri Heard". The New York Times. Retrieved June 28, 2026.
  4. ↑ "A Woman Commands". Variety. February 2, 1932. p. 15. Retrieved June 27, 2026 – via Internet Archive.
  5. ↑ "Pola Negri in "A WOMAN COMMANDS"". The Film Daily. January 31, 1932. p. 10. Retrieved June 27, 2026 – via Internet Archive.
  1. ↑ See renewal R238242 for proof of novelization.
  2. ↑ Under R242081
  3. ↑ See R229234 for proof of this song's inclusion
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